PIGSHIT: Gary Pig Gold’s Top 12 of 2012

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BOB DYLAN Tempest www.bobdylan.com Well, it certainly provides the Perfect soundtrack to the Man/the Legend's latestRolling Stone interview, for starters. Continue reading

PIGSHIT: Oh, Brother

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Yes indeed, it goes without saying that Brian Wilson and his familial band full of brothers, cousins and friends have enjoyed a career quite unlike any other across the cuckoo annals of show business. Scoring a local hit in 1961 straight off the mark with their very first little indie single, then soon after placing a sophomore release into no less than the hallowed Billboard Hot 100 – and all at a time when the majority of the band still had to be home in time to attend class the next morning – The Beach Boys, it could be argued, really started their marathon run at the very tip-top, suicidally crash-dove towards oblivion a few short years later, and only then slowly but surely began their struggle up the ladder of ever-lasting fame, fortune and, ultimately, all-American glory …and just finished touring the globe promoting a new (!!) hit album, need I remind anyone. Which just all goes to show, I suppose, that blood surely runs thicker than any critic’s ink, what gets around (from town to town) comes around and that, most obviously, Brian Wilson near single-in-handedly created a body of work which can surely withstand the most brutal scourges of both time and fashion. Continue reading

PIGSHIT: Endless Winter

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With the Brian Wilson: Songwriter DVD still lodged firmly within the ol’ Pig Player, I pause to conduct a virtual poll in order to ascertain, on behalf of R n’ R Reporters everywhere, that traditional Yule-rock question… “WHY WOULD YOU REALLY RATHER BE LISTENING TO THE BEACH BOYS THIS DECEMBER 25th?” “Because I live in Syracuse, and it’s gonna fucking snow until July. Continue reading

PIGSHIT: Ten Reasons why “Brian Wilson: Songwriter, 1962-1969” Should Be the LAST Beach Boys Documentary You Need Ever Watch

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1.  Veteran SoCal socio-musical historian Domenic Priore, sitting alongside a tiki totem beneath a strategically placed orange branch, more than ably launches our story over a wealth of Eastmancolor’d freeway and beach footage, drawing, as only he can, that all-important connection from Gidget to Dick Dale all the way to teenage Brian’s Hawthorne, California music room. 2.  We see some very cool vintage Four Freshmen footage, and the undeniable influence that quartet’s equally cool jazz vocal stylings had on Brian and his Boys, explained to us by none other than First Lady of the Wilsonian Bass Guitar, Carol Kaye. 3.  Next, back-to-back clips of Chuck Berry serenading “Sweet Little Sixteen” at The TAMI Show and the young B Continue reading