Random Access Moroder

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The most talked about album in many years, Daft Punk’s ‘Random Access Memories’, is released in the UK today, and, as discussed in my post from the beginning of the month, ‘Disco Now Disco Then’ (http://www.gregwilson.co.uk/2013/05/disco-now-disco-then-2), it’s all set to … Continue reading

WEEGEE’s BEST

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Fair use of photograph by Arthur Fellig (Weegee.) To me, this is Weegee’s best photograph because it taught me to view images differently forever. I hitherto had thought his work exploitational, but this shot makes any viewer a better human. … Continue reading

TEXT AND DRUGS AND ROCK’N'ROLL?

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I don’t have a copy of this, and don’t know the author, but it sounds interesting – and has a title that gets itself noticed:This is the publisher’s blurb, not mine:Text and Drugs and Rock’n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years – the literary forces of the Beat Generation and the musical energies of rock and its attendant culture.Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 – Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few.This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music Continue reading

Review: Petula Clark’s New Album Lost in You

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PETULA CLARK – Lost in You Album: Lost In You Artist: Petula Clark Label: The End Records/Sony Music Release Date: April 02, 2013   BY STEVEN ROSEN  As much a surprise as finding a new album by 80-year-old Petula Clark (singer of the 1964 pop-rock classic “Downtown”) on a label that also features Art Brut, the Prodigy, Cradle of Filth and Anvil is the fact that it’s really good. Not just good, but contemporary in its production and (for the most part) material, creating a showcase for Clark’s reserved but convincingly involved voice. Continue reading