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Back Door WomanAuthor: Mark Paytress
April 18, 2010 @ 10:05 pm
Here’s one for all those masochistic males, dom-style women and bloodletters everywhere. Melpomeni, a long-serving member of the Mediaeval Baebes and a regular habitue and performer at the now defunct Colony Room, is about to unleash a first solo album of her peculiarly pungent psychodramas. Titled, with characteristic melodrama, “8 Tragedies, 2 Love Songs & A Breakdown” (Lighthouse Records) kicks off with one of the most delicious instant classics I’ve heard in a long time. Titled “I Want Him Dead” (key phrase the Salome-inspired “Bring me his head on a plate”), it’s a song that’ll no doubt prompt plenty of “Kate Bush with a knife in her hands” style hyperbole. It’s certainly been a while since I’ve heard something so spine-tingling, the song’s artery-slicing effect achieved simply with mesmerising piano motif and a voice that positively crackles with vengeance. But it’s not all broken glass assaults on the nether regions of jilted males. Amid the teeth-baring bile of “Are We Even Now?” and “You’ve Hung The Wrong Bitch”, there’s a barmy cover of Bolan’s “Juniper Suction”, a tender, conciliatory “Swim”, and catharsis on “Let There Be Light”. Out in June/July. You have been warned. The unexpected joys of SpotifyAuthor: Mark Paytress
May 23, 2009 @ 12:20 am
Midnight, Friday night. Decided I needed a little shot of nostalgia, so typed ‘Sixties’ into the search bar. Up comes the much hoped for roll-call of Clodagh Rodgers, Lemon Pipers, Fifth Dimension, Box Tops et al. But wait! Throbbing Gristle? Yup. Sandwiched between Karl Denver’s Wimoweh and a ’60s megamix is Six Six Sixties – the Industrial revolution makers at their overly distorted and world weary best. A happy accident that will surely put some colour back into the cheeks of a few Frank Ifield enthusiasts? Or is P-Orridge up to his old mischief-making tricks again? |
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